Flash and the Pan — 485, 484

 ALBUMS:  Flash and the Pan (1978);  Lights in the Night (1980)

MVC Rating: Flash: 4.0/$$$;  Lights: 3.5/$$

This is an odd group with an odd, albeit catchy, style.  It was essentially Harry Vanda and George Young, former members of the breakout Australian group -the-Friday-on-my-mind-band, the Easybeats.

Vanda and Young went on to manage and produce songs for AC/DC, for whom Young’s younger brother played.

But between the soaring and crashing of the Easybeats and world domination of AC/DC was Flash and the Pan.

I plucked their self-titled 1978 debut from a bin at WUXTRY  in Athens, Ga.

Their hypnotic studio sound was a little like nothing you’d heard. Although I heard some people describe them as quirky, otherworldly in a 10cc way.

I think the members of 10cc were more clever songwriters. But Flash and the Pan certainly had the stranger sound, starting with their vocals.  The lead vocals delivered usually in a talk/sing style sounded as if it were filtered by a toy megaphone. I guess you could say  it sounded like a voice that could have been used on 10cc’s prison riot hoedown,  Rubber Bullets, The sing-song semi-electronic groove would then explode into a catchy chorus, that across the two albums I have starts sounding a little formulaic.

Best songs on first album: ‘Hey St.  Peter,’ ‘Walking in the Rain’ (covered by Grace Jones, and ‘Down Among the Dead Men,’ a song about the sinking of the Titanic. On the second “Headhunter’ ‘Make Your Own Cross’ and  ‘Calling Atlantis are interesting.

They barely dented US charts, but the second album, Lights in the Night, was No. 1 in Sweden.

The American cover of the debut album (shown at top) is as odd as the sound. People sitting on the beach with Frisbees flying all around them. In the distance is a mushroom cloud. On the back cover, the people are all gone but not the chairs and Frisbees.  Hey St. Peter take me home.