Sniff’n’ the Tears, Sugarloaf, and K-tel: Finding some cool one-hit wonders — 86, 85, 84

ALBUMS: ‘Fickle Heart’ (Snif’n’1979); ‘Don’t Call Us — We’ll Call You’ (Sugarloaf 1975); 20 Power Hits (K-tel 1972)

MVC Rating: Fickle – 3.0/$$$; MVC Rating – Snif’n’3.0/$$; K-tel – 4.0/$$$

A package deal here. I like doing this just to shake the format a little. Sometimes there are themes; other times the only similarity is the records are made of vinyl and have a hole in the center. I have three albums here and if you stretch, there’s a theme (or two).

Snif’n’ the Tears was a one-hit wonder with their catchy ‘Driver’s Seat.’ a car song if ever there was one even if the lyrics are gibberish ‘..Driver’s seat …oh, oh, oh, there is no elite.’ But the tune was an ear worm and well produced with driving drums and bass and synthesizer flourishes. Another problem they may have had is there other songs were softer rock, which may be unexpected coming off of ‘Driver’s Seat.’

Sugarloaf was a 2-hit wonder, rolling out ‘Green-Eyed Lady’ and ‘Don’t Call Us (We’ll Call You). The album I have doesn’t have Green-Eyed Lady on it.

The song opens: ‘Long distance, directory assistance, area code 212.’

Fun fact about Don’t Call Us: The sound of someone dialing a telephone of the push-button variety– the next big thing since rotary dial — is a key part of the song. And that sound is reportedly the private number of the record executive who rejected the group.

Now that’s edgy.

Now K-tel, if you grew up in the 1970s, was ubiquitous to late night television commercials, advertising 20 top hits for $3.99. On my album cover it says: ‘As seen advertised on television.’

The K-tel records were usually fluffier tunes that had that here-today-gone-tomorrow feel on them. Although they could surprise you. On my record, for example, there’s a Partidge Family song “Doesn’t Somebody Want You to Want Me.” sharing vinyl with Ray Charles’ “A Sweet Little Thing Like You.’ The K-tel record also had Green Eyed Lady by Sugarloaf. Ding ding ding ding. There’s a connection. It was Sugarloaf’s entry into two-hit wonderdom.

Of these three albums, I’ve played the K-tel record much more than the other two. That’s because the records by Sugarloaf and Snif’n’the-Tears didn’t really have any other good songs on them. Sugarloaf had some mediocre rock and roll and Snif’n’the-Tears ditto, only more mellow.

I was lucky in that I had a nearly mint K-tel record as they usually are played to death and then used as frisbees.

It is also one of the permutations (in 1972) of this company that used nonedited official song tracks. However cramming the grooves closer with 10 songs per side certainly didn’t help K-tel become a model of sound fidelity. My K-tel had one serious one-hit wonder called ‘Sweet Mary by Wadsworth Mansion — another impossible ear worm.

10cc — 90,89,88,87

ALBUMS: 100cc 10cc (1975); Original Soundtrack (1975); How Dare You (1976); Bloody Tourists (1978)

MVC Rating: 100cc 4.5/$$$$; Original 4.0/$$$; How 4.0/$$$$/ Bloody 4.0/$$$

I’ve got 10cc in a previous post as one of my top underrated bands. I’ve had conversations with ‘friends’ that think 10cc is not underrated –but shouldn’t be rated at all because they are so bad!

This attitude comes from several things, namely two Top 40 hits. One, ‘I’m Not in Love” was a song off of the Original Soundtrack album that was a big radio hit that people either loved or hated. It has syrupy strings and slow tempo. But as I’ve pointed out in my arguments, it is satire, like a lot of 10cc. They are clever and very good musicians and songwriters:

In that song: ‘I keep your picture on the wall/it hides a nasty stain that’s lying there … I’m not in love.’

The song ends in a whisper spoken refrain: Be quiet, big boys don’t cry, big boys don’t cry.

So, if you are entering the 10cc universe with that one song on the radio, you would miss out on some interesting music.

The other ‘success’ that I think hurt them a little was a song several years later that was a sappy, big radio pop song, ‘The Things we Do for Love’ — their most successful song but I think it hurt their credibility a bit.

The things we do for love, like walking in the rain and the snow and there’s nowhere to go ...’

No satire to save this one as it did for ‘I’m Not in Love.”

Fortunately I entered in through their 1975 compilation album of early British hits. Or, another way to describe that would be early U.S. flops.

This really is an album of near misses. ‘Rubber Bullets,’ ‘Wall Street Shuffle,’ The Worst Band in the World,’ and ‘Silly Love,’ (Not to be confused with Paul McCartney’s sappy ‘Silly Love Songs.’ Or their own ‘Things We Do For Love.) 10cc’s ‘Silly Love’ opens with riffing power chords. .’

‘Rubber Bullets’ satirizes a couple of jailhouse songs that were popular on the 1950s including ‘Jailhouse Rock’ and Riot on Cell Block No. 9. In the song, the warden is calling guards to ‘Load up, load up, load up with rubber bullets.’

Then it got out of hand as the music do-wops along:

Well we don’t understand
Why you called in the National Guard (national guard, national guard)
When Uncle Sam is the one
Who belongs in the exercise yard (exercise yard, exersise yard

We all got balls and brains
But some’s got balls and chains
At the local dance at the local county jail

100cc is a great place to start although there pleasures and treasures to be found in the others, including ‘Art for Art’s Sake,’ off of the ‘How Dare You,’ album, ‘Dreadlock Holiday’ (I don’t like cricket, I love it).’

If I had to describe their music, it would be Frank Zappa (without the overt weirdness) and Queen with its emphasis on sound production and structure.

Tom Tom Club — 91

ALBUM: Tom Tom Club (1981)

MVC Rating: 4.0/$$$$

This album has a great album cover by artist James Rizzi. The Tom Tom Club, which was the Talking Heads without leader David Byrne, sounds like the cover looks.

Funny, crazy, colorful and noisy. Cartoon figures of the band and others are crammed onto the cover amid dozens of little drawings — hearts, dollar signs, squiggles and wiggles. Giraffes, military fighter jets and microphones.

Whew! It’s enough to spin the head of the Rev. Howard Finster.

The music mostly fits the cover. There are hints of the advent of Electronic Dance Music, although it sounds more organic than dialed in — which is a good thing.

But one has to remember this was cutting edge about four decades ago. Now, not so much. Funny how that works: How art competes for immortality yet often is yesterday’s news. Sometimes it takes a long time to decide which is which.

Talking Heads’ married couple Tina Weymouth and Chris Frantz, were the main creators of TTC.