Why not single-payer health care for USA? (blog version)

This is an opinion piece from Mike Oliver who writes about life and health issues for AL.com.

Obamacare is not health care reform. It’s a Band-Aid at best.

You could call it an attempt at insurance reform. And it has helped some people who had no insurance obtain insurance. But who are we kidding? We have more than 28 million uninsured people in this country.  The percentage of uninsured went down at first under Obamacare from about 44 million. But now the rate of uninsured is going up again. 

Last Friday, a federal judge in Texas ruled the Affordable Care Act unconstitutional. And the case could go to the US Supreme Court.

But Medicaid expansion, much of what Obamacare is about,  is not health care reform. Let’s get serious and move the conversation to something substantial.

I want to know what is the case against a single-payer system? I’d really like to know why a single-payer is not legitimately considered an option in this county.

I’m saying this as someone diagnosed at 56 with a fatal brain disease, Lewy body dementia. I’m 58 now, they say the average lifespan for this type of dementia is 4 to7 years or 5 to 8 years after diagnosis.

I’m asking as someone who has covered health care for years as a reporter and editor in Alabama, Florida and California, as one who covered First Lady Hillary Clinton’s health reform attempts as it went down in flames.

I’m looking for real reasons why a single-payer is not the way to go. Just so we are clear, the answer of the above question is not that it is socialistic or socialism. That’s an observation or opinion as to what type of government policy it is.

Medicare might be described as socialistic. The Department of Transportation might be described as socialistic. After all, we collect and re-distribute tax  dollars to build roads and bridges. But we have decided as a nation of some shared needs so government  heads up that multi-billion-dollar endeavor.

But there’s already too much government in our lives I hear opponents of a single-payer system say. I say: We are the government.

So, please, help me understand why it is a bad idea. I go back to Medicare. It, too, is a multi-billion dollar endeavor, making up something like 15 percent of the federal budget. In general Medicare (not to be confused with Medicaid) gets pretty good marks for efficiency. Most folks have seen their parents or grandparents on Medicare, and they haven’t joined the communist party.

In one version of a single-payer, we would open Medicare up to everybody who needs it regardless of age. It seems like this would cost more money initially, and maybe so, but in the long run we will have a healthier, happier nation and less money going to high  percentage  profits of the health care industry.

And that will ultimately mean less spending on health-care. (If only political leaders looked long-term.)

Here’s the Medicare expansion idea. And here are four other models in which variations are used in England, Canada, Germany, France, Spain, etc.

The truth is the United States has universal coverage right now.  That’s right. It’s just that there are  many who use the emergency room as their doctor’s office.  Their unpaid charges get passed on to paying customers, a phenomenon called cost-shifting. So medicines and  treatment rise for the insured patient. Even those with insurance often have high deductibles that deflate the incentive to make a doctor’s appointment.

They get treated one way or another. Others wait to get better but end up getting worse — a cancer that could have been stopped is now too far along, for example.

I was doing a ride-around with an ambulance service in Orlando, FL, years ago and asked the driver about the health care of the people they pick up to take to the hospital.

“Health care for people out here is calling 911 ” was his response.

I think there are two things that help to understand why this is such a sticky and difficult problem.  Typical business economics behind health care don’t operate in the interest of the patients or their outcomes. Think about it. The institutional financial interest is to treat more, test more, scan more, prescribe more. 

Now good doctors may be outraged that I would insinuate their decisions are financially driven. And I believe doctors should have as much freedom as possible to make prognoses and treat patients.

Here’s a case scenario: A hospital on one side of town — Hospital A — buys an expensive laser treatment for brain tumors. It costs many millions but they have the only one in town. They figure they can charge $10,000 per treatment based on how many will use the treatment. On the other side of town, another hospital notices the business that the laser is getting, so they buy one. All good capitalism and competition, right?

The problem is there is a ceiling on the pool of patients. So hospital A starts seeing less patients because Hospital B picked them off. Economically, the overall revenue is down so Hospital A must increase the cost of the treatment or increase the patient population. 

What they need is a good brain tumor epidemic. That’s a horrible thing to enter the psyche of a hospital or health care organization.

The other anomaly about health care reform is that there are huge financial interests which work against significant reform. I covered Hillary Clinton’s  attempt to reform health care. It was not pretty. Too many cooks in the kitchen spoiled the broth, as the thick document that contained the policy was seized upon and ridiculed, probably rightfully so. Throwing an everything-but-the-kitchen-sink document out there was a major mistake, politically. Holding closed sessions with myriad special interests and academic experts was another political mistake.

Many remember the infamous “Harry and Louise” ads, but even more influential in the demise of Hillarycare was former New York Lt. Governor Betsy McCaughey. She wrote “No Exit,” which was published in the New Republic. Although it was a skewed screed with the appearance of an academic critical analysis, it was timely ammunition for Republicans looking to scuttle the plan.

That’s old news now.

Hillarycare like Obamacare was not systemic health care reform anyway. It tried to please everybody from consumer groups to insurers, from hospitals to the pharmaceutical industry. The result: Hillarycare died.

And now Obamacare has been ruled unconstitutional. 

I wonder why we can’t create  some new news without one person’s name on it. Call it Peoplecare.

I would start with a question: 

Why not single-payer health care reform?

Isley Brothers — 407

ALBUM: Superstar Series Volume 6

MVC Rating: 3.5/$$

Most of us  of  my generation (age 59) have heard, intentionally or accidentally, the Isley Brothers.

Their hits are many, having put out radio friendly soul for decades.

I like the genre: the Stylistics, O’Jays and the Delfonics are a few groups I have enjoyed and have some mostly on CD.

This is a Motown Superstar Series it says on the cover, Volume 6.

Really? Volume 6? I don’t even have a Volume 6 number of songs on the Beatles. Given that this has 10 songs on it, does that mean there are — at least — 60 greatest hits?

Even if it is Volume 6, they left some good ones for this record. There’s: “This Old Heart of Mine,” “I Hear a Symphony,” and “Take Me In your Arms (Rock Me Little Baby).

A fun fact: A young Jimi Hendrix  became a member and toured with the Isley Brothers in 1964-65. He recorded a few singles with the group including ‘Testify,’ — not on this album.

Donnie Iris –408

ALBUMS: ‘Back on the Street”

MVC Rating: 3.5/$$

Donnie Iris was a serial one-hit wonder.

He was involved in several high profile songs but with different groups. 

He started playing in a local band in his hometown of New Castle, Pennsylvania.

He joined the Jaggerz in 1970 and wrote  their huge hit, ‘The Rapper.’

He then became a member of Wild Cherry just after they had a huge hit with the song “Play that Funky Music White Boy.’

After that stint ended, he went solo and scored with song that seems to just come out of nowhere in 1980: the anthemic  ‘Ah Leah.’Great song with the volume cranked.

Is Chris Isaak the smoothest singer ever? MVC checks it out. — 410, 409

ALBUMS: Silvertone (1985 ); Chris Isaak (1987)

MVC Rating: Silvertone 5.0/$$$$; Isaak 4.5/$$$$$

Chris Isaak has a voice that sounds like Roy Orbison singing for the lonely.

With a touch of Elvis, a generous touch.

I have his first two on vinyl. Both are excellent. I have his third on CD, that one, probably his most successful because of the song, ‘Wicked Game,’  a worldwide mega-hit tied to a David Lynch film.

But in terms of quality, folks should not forget those first two albums, ‘Silvertone’ and ‘Chris  Isaak.’ They come  with a sultry, anachronistic sound — especially good for snuggling with your loved one.

Hurricanes and hisicanes of the future (Pt. 4)

( … continued)

SCENE: Warehouse near End of the Line Tavern.

Prosby rubbed his head, wincing at the  pain from the  wound on the side of his head.

He  was cold on the concrete slab floor. He wasn’t restrained.

“Again Mr. Prosby, may I offer you some water, or perhaps something stronger?”

The woman appeared to be in her 40s, wearing some kind of one-piece zip-up suit with lettering on the right side of her chest, like something an auto mechanic might wear. Only it was bright neon blue.

The lights greatly enhanced his headache and he tried to stand up. He fell to a knee, inviting laughter from the woman and others he could not see.

“What do you want?” he asked,  giving up on trying to stand.

:Well,  Mr. Prosby, the question is ‘What do you want? Actually and more precisely, the question is: Do you want to live or die.”

“We all die some time,” He snapped back quickly, with sarcasm.

‘You’re death will be sooner than the natural world would give you and, trust me, it will be much much more painful,’ The woman in the jumpsuit continued. “And I will personally see to that.’

“You see, Mr. Prosby, our deal comes with an expiration date. It’s not a pay as you go sort of thing. If you don’t accomplish this task, and bring us what we seek, by that certain date, you will expire.

His mouth moved to answer but he couldn’t hear a word he said because of the deafening metal machine music.

To be continued …

Live For Ireland — 411

ALBUM: Live for Ireland (Recorded 1986)

MVC Rating: 3.0/$$$

It was the Irish version of Live Aid, with U2 kicking it all off with an anguished soul-killing version of Bob Dylan’s ‘Maggie’s Farm.’ I still can’t tell if that’s good or bad. Probably had to be there.

A general statement first. I don’t particularly care for most live records. ‘Most’ I say.”  I like Cheap Trick’ and Dylan’s separate live albums from Budokon.

The Rolling Stones ‘Get your Ya Ya’s Out’ is old school rock concert stuff. I’ve heard cuts off Nirvana Unplugged that are surprisingly  good live acoustic versions.

But it’s likely  it was all probably better live, seeing about a dozen or two dozen Irish acts during a 14-hour marathon.

Some of the acts included: Tua Nua, U2, Chris Rea, Clannad, Van Morrison, The Boomtown Rats, Chris De Burgh, and a new version of Thin Lizzy which months earlier lost their frontman Phil Lynott due to a fatal drug overdose.

De Burgh’s expansive organ and guitar laden, ‘Don’t Pay the Ferryman,’ was a chartmaker in the US. DeBurgh’s MOR/classic rock style served them well in the oudoor venue

Christy  Moore did a nice Irish song called Back in Derry which seemed to resonate.

The Irish concert’s goal was to help  unemployment, which was a major  national problem.

Thin Lizzy without Phil Lynott, lineup used in Self-Aid concert.

The Boomtown Rats — 629

According to its Wikipedia page:  The telethon raised millions of pounds for a job creation trust fund as well as over 1,000 job pledges.[The song chosen for the finale was “Let’s Make it Work”, written by Christy Moore and Dublin songwriter Paul Doran. Tributes were paid to Phil Lynott who had died just 4 months earlier, including a performance by a reformed Thin Lizzywith Gary Moore on lead vocals.[

Bits and Pieces: I hope Casey Kasem was a jerk on his own

The Dave Clark Band’s ‘Bits and Pieces’ is a bad song made worse by a bad video.  Check it out.

And I generally like DC5 songs, such as  ‘Glad all Over.’ But ‘Bits and Piece’s’ is a good title for a blog post that has, well, bits and pieces.

And that’s what this is.

I ruminate on this as I come out of my recent post on one-hit wonders. I like most of the songs on my personalized wonder list. But I considered and tossed out a couple because they weren’t good.

I was reminded of this when I visited another music blog today, and it was featuring a post about Henry Gross and the love-hate relationship with the song ‘Shannon.’ Oh the memories. See this well-done website called SliceTheLife  

I dislike — but secretly like  –Shannon, kind of like ‘Brandy’ by the Looking Glass.. But seeing this post reminded there was an album by Gross called ‘Plug Me into Something’ that I remember hearing every time  I visited a friend’s house. I have fond memories of that record but never bought it for whatever reason, probably because I heard it so much without paying for it. The friend also had the Brothers Johnson ‘Strawberry Letter 23,” which I did buy (the album,  Right on Time, and is reviewed here.

Anyway the thing that had me laughing today was the Casey Kasem, he of Top 40 fame, go off the rails on Gross’ song, Shannon, about a dead dog. SliceThe Life gives more detail on that. Here’s the video.

Casey Kasem died a few years ago of complications of Lewy body dementia.

That’s of course the disease I have and awareness of the disease is a big part of this blog and my life.

I hope those weren’t early signs of LBD.

I hope Casey was just having a bad day and being a  jerk on his own. But the fact is that this insidious disease can change personalities and behavior.

I am here to tell you readers, you have the right to shut me down if I act like that. I don’t advocate violence (especially against myself) but put a piece of duct tape over my mouth or something. Or just give me some ice cream, Chunky Monkey is fine.

In other bits and pieces. I see that, ironically I guess, the song by Europe called “The Final Countdown” was named one of the top all time one-hit wonders.

My Vinyl Countdown Salutes you. Here’s what VH1 said in this somewhat dated  release:

On VH1’s 100 Greatest One-Hit Wonders, [Europe’s] Joey Tempest said: “It was quite a surprise that the song ‘The Final Countdown’ became such a big hit because it was written for the band, it was written for our concert, it was written to be the opening song in our concert. It was almost six-minutes long, it was never intended to be a short pop hit or anything, it was very much a surprise and its been used for all kinds of events, anything from Formula 1 to boxing. It’s been used for a lot, sort of like an anthem. I know there’s been some cover versions of it as well and I know when the Berlin Wall (fell), at the same time that all thing happened I know a lot of other people from that area saw the song as an anthem. I get a lot of letters about that. So its been interpreted in many ways.”

And again My Vinyl Countdown salutes you.

One wonders about these one-hit wonders — 10 best from My Vinyl Countdown

This is an opinion column by Mike Oliver who writes about  his diagnosis of Lewy body dementia and other issues at AL.com and  on his blog myvinylcountdown.com

Isn’t that it? We like to read and listen to one-hit wonders because it makes us wonder. We wonder, well, what happened to him or her or them?

We ask: “They were so good. Why didn’t they have another hit?”

“Did something tragic happen?

Oooh and it makes you wonder. Am I a one-hit wonder — in my life?”

How must the one-hit wonders feel? Working for years without another hit. Having to play that one hit as the last song at every concert gig It’s like George Reeves who played Superman in the TV show not being able toget another good job because he had been typecast.

One wonders and worries, perhaps, but they are fascinating. I’m not going to go into any deep analysis here about the psychology or analyze why some hit big only once.

But I’m going to list the top 10 one-hit wonders from My Vinyl Countdown blog. This comes from a list of my 678 albums, of which about 225 are on this blog

I’ve vowed to finish them all before I die.

I’m pulling my list from the 225 or so that I have already reviewed. We’ll  do another list down the road. Remember, this is my collection, mainly bought in the 1970s and 1980s.

It’s worth pointing out that some very fine artists never make it the Billboard 100.  This is not meant to be a complete list, it’s a list of songs that I  like and that make me wonder why the artist never broke through again. I have a low bar, these aren’t No. 1 Billboard  songs. Could be any on the top 100.

  1. Song: Make Me Smile (Come Up and See Me.)  Artist:Steve Harley and Cockney Rebel. This charted (barely) at 96 in the U.S. in 1976 but was No. 1 in England. I had this on a live album called ‘Face to Face’ but never paid much attention — it was the last song on a 2-disc live album I  picked up in Athens, Ga., I then found out the song was on one of my compilations records as well, but I’ve only recently come to appreciate its cool-ness  and catchiness.
  2. Song: Sweet Mary. Artist: Wadsworth Mansion. This catchy tune sounds like it came out of the Beach Boy’s treasure chest or Jan and Deans garage.  The song went to No. 7 on the Billboard 100. Despite releasing other songs, the band never had another track crack the 100. And you wonder how a band  with a name like that could go wrong. (I love the speeded up outro: Chickie-chickie-chick is your heart a-break. Chickie-chickie-chick is your heart a-break
  3. Song: A Good Heart. Artist:  Feargal Sharkey. This song was also catchy as heck and went No. 1 in the UK charts but only saw No. 76 in the U.S in 1985. Despite some great songs, nothing else went Top 100 US for him. Before his solo career, Sharkey was known for fronting the Irish band ‘The Undertones,’ a significant contributor to the power-pop New Wave movement. Its hard to listen to this song and not sing-surf along to Sharkey’s powerful voice on the chorus. My personal favorite, from the same album, is a song called ‘You Little Thief’ which did well overseas but didn’t chart in the U.S.
  4. Song: Money Changes Everything. Artist: The Brains. This song, one of the all time great rock songs, was covered by Cindi Lauper and  became a worldwide hit charting at No. 27  on the U.S. Billboard 100 in 1985. It was an underground hit for The Atlanta, Ga.-based Brains, were fronted by Tom Gray who wrote and recorded the song. Athough the bands work was crtically acclaimed, they never matched the Money success. They have several albums which I review here.
  5. Song: Resurrection Shuffle. Artist: Ashton Gardner & Dyke. This song is one  of two songs I know of that have your backbone slipping in the lyrics. The other is Land of a 1,000 Dances, which is as danceable as this one, which is pretty high praise because they are high on the danceability scale. The group had several albums and released several singles but nothing that made the charts. Resurrection Shuffle however hit No. 7 on the Billboard Hot 100 in the States in 1971. Tom Jones and Clarence Clemons are among those who  have covered this song.
  6. Song: A Million Miles Away. Artist: The Plimsouls. I’m stretching my own rules here by picking something off of an album I haven’t reviewed yet. I am in the ‘H’s’ as I count these down. However, I have a good explanation. The band has Peter Case in it, whom I have already reviewed.   This is a great song, and I’m sure they would have had more had they stayed together. One might remember this song (and the Plimsouls playing it), from the 80’s movie ‘Valley Girl.’
  7. Song: Slow Dancing. Artist: The Funky Kings. Most have never heard of the Funky Kings. I reviewed them recently on this  blog here. They were a pleasant laid back southern California band that left little lasting impression. Slow Dancing however became a hit on the Easy Listening charts and a Johnny Rivers cover did even better. It’s nice.  It’s a high school slow dance song. It’s the kind of song that becomes a memory touchstone if you happened to be exposed to it at the right age.
  8. Song: Sunshine. Artist: Jonathan Edwards. When you hear this song it sounds like you’ve heard it all your life, even if it’s the first time. That’s the sign of a timeless song and this is a good one. The question is (and I wonder) what happened to Edwards. He did other records,  two other songs nearly cracked the top 100. He did some acting. But he never came close to matching the power and popularity of ‘Sunshine.’
  9. Song: Telstar. Artist: The Tornadoes. This instrumental sounds like a classic, like you heard it somewhere before. The band was comprised of successful backing  musicians and had numerous hits in the UK. Telstar, however, was their only US  hit as far as I  can tell. But it did well: No. 1. Not bad for a  pop song with no words.
  10. Song: Driver’s Seat. Artist: Sniff ‘n’ the Tears. Okay I’m cheating. I haven’t reviewed this one yet but I wanted to close strong. This is just a great piece of driving, rocking pop fluff. A little bit like ‘Radar Love’ in that it is a  good driving song. But this band was truly a one-hit wonder. One and done.

John Hurley — 412

NOTE: This was updated July, 2020, to reflect that when I did the original post I did not know about his other two albums. I began to do a litte research on this native of Pittsburgh and session musician in Nashville, and some in Muscle Shoals as well. Since I wrote the original column, I launched an unsuccessful search for a friend or relative. He died too early in his 1950s  (It appears that he also had a Birmingham link in that he did some recording here as well.) I’ve not found family or friends but I quit pursuing because I felt like I would leave them alone and if they wanted to talk, they would contact me). Any way bottom line. I liked the other two albums better than One More Hallelujah. I have upgraded Hallelujah from 3.5 to 4.0; and the other two I’m grading to 4.5’s each. He was not only a great songwriter but also a great country-blues singer. I mean great.

ALBUM: John Hurley Delivers One More Hallelujah (1971)

MVC Rating: 3.5/$$

Not exactly a household name, John Hurley finishes up my “H’s” as I countdown my collection of 678 records.’

This gospel-soul singer is probably best known for co-writing the classic ‘Son of a Preacher Man’ with the famous line: ‘The only man who could ever reach me was the son of a preacher man.’

The song was originally written for Aretha Franklin but when there were some delays in getting the Aretha version done and published,  Wikipedia says the song was considered too gospel for the particular album Aretha was working on.

Dusty Springfield recorded it, and it became a massive hit.

Hurley was a fine singer as well as a songwriter but he only put out three albums. He died at 45 from liver failure and cerebral hemorrhage, according to his Wikipedia page.

He wrote songs with Ronnie Wilkins, for a while in Nashville. Some who have covered his songs include The Everly Brothers, Waylon Jennings and Wayne Newton.

The much-covered “Song of the Common People” was written by the two (see video below, a poignant tribute put together by his family).

The title song on the album  I have is a full-throated gospel number that almost crosses over the gospel- secular divide with its chorus-backed soul belting of Hurley.

If you like soul or gospel, this is a  strong consistent album, top to bottom by an artist who deserves a little more recognition. As oneYouTuber put it: “Another buried treasure. What an amazing, unjustly forgotten career.”

Footnote: I picked this from a used record bin thinking I was buying something from Michael Hurley and  the Holy Modal  Rounders which I had read about and was looking for the name ‘Hurley’ and just snagged it without remembering that it was the wrong first name.  Glad I did snag it.

But still looking for that Michael Hurley record.

PPS: Larry Carlton plays guitar on this  Hurley record.

A tidbit came to me before I could close out: In the 90’s, the reggae-American group Cypress Hill, sampled “Son of a Preacher Man,’ put it in a song called “Hits from the Bong.”

That  added even more to a growing audience for that song, contributing royalties for the songwriters.

Click for story I did about Love of the Common People.

Buddy Holly and the Crickets — 413

ALBUMS: Buddy Holly Lives  — 20 Golden Greats (1978 compilation)

MVC Rating: 5.0/$$$$$

I used this formula in a previous review and it is simplistic. Great artists are more than the sum total of who they listened to. But my lttle equation is: Chuck Berry + Buddy Holly = Beatles. It’s not an equation of who is best, it’s an equation of influences.

I tried to mess around with the Rolling Stones which might be Chuck Berry + Howlin’ Wolf = Stones? Didn’t work for me really. The Beatles clearly were taking in everything Holly was doing. “True Love Ways,” sounds like the Fab Four.

Listen to  ‘Rave On‘ with your eyes closed and you can practically see the Beatles up on stage singing that song.  Same with ‘Words of Love.’

The Beatles named themselves in homage to the Crickets.

Of course most are familiar with the plane crash that killed Buddy Holly, Big Bopper and Ritchie Valens. It was the Day the Music Died as proclaimed by  one of rock’s great songs, ‘American Pie.’

You can get a modern version of Holly in Marshall Crenshaw — who seemed to channel Holly on some very good records in the 1980s. But had Holly lived, he would have probably been pioneering  in a way beyond Crenshaw — like the Beatles were. Though intriguing, we’ll obviously never know what kind of music Holly would have brought us.

And with all due respect to Don McLean, musicians die, but the music, when it’s really really good, lives on.

Rave on, Buddy Holly.