ALBUM: Fairport Chronicles (1972)
MVC Rating: 4.0/$$$$
Those of you reading my blog know by now, I wasn’t a collector of records for value’s sake. In other words I wasn’t looking for rare; I was looking for cheap.
To this end I went down various paths in my musical tastes and purchases. I am most of the time a fan of ‘best-of’ or ‘greatest hits’ collections. Most ‘real’ collectors are not. I used greatest hits to learn about an artist that I didn’t know too well and see if it led me to a whole new avenue of music. The Kinks were a band like that, I think my first Kinks record was a Pye label greatest hits. I went ‘wow’ and have since collected about 8 or 10 Kinks records, many cut-outs and bargain bin material (Soap Opera anyone?)
This is true with Fairport Convention, in a way.
I knew virtually nothing about the 1960s and 1970s English folk rock group when I bought Chronicles, a wonderful compilation that sounds like a very well done studio album.
The album led me to other artists and other purchases: the amazing guitarist Richard Thompson and his solo work; the super great vocalist (and Richard’s ex-wife) Linda Thompson; the early folk-rock-jazz groups, Pentangle and the Strawbs; and the angelic vocalist Sandy Denny.
One of the best dark albums of all time is Richard and Linda Thompson’s ‘Shoot out the Lights,’ with songs such as ‘Wall of Death’ and ‘Did She Jump or was She Pushed.’ They recorded it while breaking up and it is heart rendering.
On Fairport Convention, there is a lilting quality of sadness lurking. Sadly Beautiful, to borrow from a Replacements song.
Songs like: ‘Who knows Where the Time Goes;’ ‘Meet on the Ledge;’ Dylan cover ‘Percy’s Song;’ ‘Fotheringay’; ‘Sloth’; ‘Genesis Hall; and ‘Farewell, Farewell,’ come together and set a lost, lonely, ethereal atmosphere that alternately may touch your heart or punch you in the gut.
