Grandmaster Flash & the Furious Five — 450

Vinyl 12-inch single  (1983): NewYork New York

MVC Rating: 5.0/$$$

I was an early listener to rap/hip hop but by the time it exploded I had pretty  much lost track. Here’s the legendary progenitors (so to speak) of rap music as we know it. Sounds funny and outdated now though still catchy  to a degree.

GM Flash put it on the map with ‘The Message.’ I got their second ‘big’ single ‘New York New York.’ It was like in my preceding review of Eddy Grant where I got the album released after his big hit ‘Electric Avenue.’

But I bought this one in Birmingham new after hearing ‘The Message’ a bunch of times. Kind of shows you how I think. I wanted the newer disc because I thought it would be even better than big hit. I thought it was better or at least similar, but sales did not reflect that.

New York New York big city of dreams, but everything in New York ain’t always what it seems

I also bought Kurtis Blow on vinyl about this time, called ‘Party Time,’ again not his biggest record. (That would be ‘The Breaks).’

On vinyl that’s about it for my hip hop collection. Though I have  on my iPod a number of rap artists, courtesy in many cases of my three daughters. Let’s see (rolling through my trusty 120 GB classic iPod)  I have some Lil’ Wayne, Beastie Boys, Rhymefest, Kanye West, Eminem, 50 cent,  and Nas. Most are songs singles not full albums though. But I’ve lost track of  the scene for the most part (since my daughters moved out).

Kurtis Blow — 638

 

ALBUM: Party Time (1983)

MVC Rating: 3.5/$$

This is early, early rap, hip hop or whatever you want to call it.

I’d put this on at a party  and the white boys would actually get up and dance. Throw in a little Grandmaster Flash and it was hopping around time. Bad dancing. (Except for me, of course.)

I remember once at a small dinner party at our  house, I pulled out my rap collection of about three records, feeling kind of impressed with myself that I was on the cutting edge.

I think I put on “New York, New York (Big City of Dreams)” by Grandmaster Flash. This was early 1980s and we were living in Birmingham. This was the very inception of rap as a popular culture sort of thing. (That means white people were discovering it). Flash and Blow were pioneers, with “The Message” by Flash and “The Breaks” by Blow.

Again feeling a little too proud of myself, I asked a black colleague who was at the party how he liked it.

My colleague said he didn’t like rap. He liked hard rock, heavy metal.

Oops, one of those moments. Um, Mike I think it is time to flip the record on your STEREOtype!

 Yes man, and we will be serving the fried fowl a little later. 

But we were cool. He laughed.

I put on some Led Zeppelin.

Counting down my vinyl records before I die of brain disease.