Is it time to raise the rim in the NBA?

Last week’s record-setting flurry of 40-point-plus games by individual players made me wonder. What if the rim, through which you must shoot to score a basket, was higher by 12 inches?

This move would make it harder to dunk and also, one would suspect, make it more difficult to score from outside, especially from the ever popular 3- point shot line, located 23.75 feet from the basket at its longest point.

Let’s face it, athletes are getting stronger, faster and bigger. Dunking at one time was a rarity, not the norm. Now, everybody on the team including the towel boy can throw it down.

Of course, it’s all part of the show. Something about slamming the ball through the hoop with emphasis makes the crowd go wild.

There are no style points, ladies and gentlemen. A dunk is worth two points, just like a simple lay-up.

It’s obvious that the dunk is the most popular play in the game. Hence the flexing, the primal screams and human electricity that ensues. My argument is now is the time to get ahead of the curve. Future ball players can start practicing on 11-foot hoops.

Adding 12 inches may not deter young dunkers like Ja Morant of the Memphis Grizzlies, who looks like he’s been shot out of a cannon on his moves to the net.

Even older dunkmeisters like LeBron James of the Los Angeles Lakers probably wouldn’t have many problems. At 38, LeBron, may be old by pro basketball standards, but anyone who has watched him lately can see the 6-foot-9 inch superstar still has enough hops, it appears, to put his chin on the rim.

How would Golden State Warriors guard, Stephen Curry, who is one of the game’s top scorers, fare trying to dunk at 11 feet? It would change his offensive approach for sure. I suspect Curry would adjust; he’s going to get his.

Some may argue the 10-foot dunk has stood the test of time. Unlike other rules in the game. My argument is now is the time to get ahead of the curve. There are basketball players in other parts of the world who are 8-feet-tall who can grab the rim while standing.

Damian Lillard, with the Portland Trail Blazers, and Curry have been known to be logo shooters — that is, shooting and making shots from the logo painted in the middle of the court. It is a ridiculous shot from 35 feet or more. But Curry and Lillard make it enough to keep doing it.

Donovan Mitchell, Cleveland Cavaliers, rained in 71 points this week on dunks, 3-pointers, foul shots, you name it.

It was the highest scoring outburst since Kobe Bryant’s 81 points against the Toronto Raptors in 2006. Wilt Chamberlin, the 7-footer from the 1960’s and 1970’s still holds the all time record, an astonishing 100-point game. Wilt also holds the highest average record, averaging 50 points a game for the year.

Mitchell’s 71-point performance this past week came on the heels of a 60-point, 21-rebound, 10- assist night from Luka Doncic, of Slovenia, a rising star in the NBA.

The next day Luka dropped 51 points on the San Antonio Spurs. Coach Gregg Popovich joked before the game that his team’s strategy would be to hold Doncic to 50.

Maybe if they had raised the rims.

Dunk brings it home for Lewy body fight

The game was knotted at 18. It had been getting a little intense, some might even say ‘chippy.’

The next bucket would win.

Every  shot was fiercely contested. Most shots brought shouts of ‘Foul,’ and the ensuing usual arguments. 
“You’re holding.” “He traveled.” That’s to be expected when the two best teams in a field of 17 are duking it out.

It was the finals Saturday morning, Aug. 20, for the 2022 MikeMadness’ basketball fundraising event. Lives were on the line.

Say what? MikeMadness raised a Madness record, about $16,000 for research and awareness of Lewy body dementia, a progressive brain disease that is always fatal.

I have the disease. So they were playing for me and the other 1.4 million affected by the disease in the U.S.


Jim Bakken/UAB

The event brought 100’s of family members, friends, and curious spectators and thousands of dollars (we are still awaiting official tallies.)

So it all came to down to this, 18-18. Nineteen wins it.

Jim Bakken, chief communications officer at UAB, had the ball in his hands at the top of the key.

“You have no idea how much I look forward to Mike Madness,” Bakken said later. ” Getting to play in it this year with my son and showing him why the day is so special was really meaningful to me.”

His son, Jack Bakken, a 16-year-old hoopster at Mount Brook High School, was on dad’s team. And he was a chip off the old block: long and lanky, only a few inches shorter than his 6′ -foot-6-inch father.

The University of Alabama at Birmingham and the UAB Student Rec Center have hosted Mike Madness for four of the last six years since 2017. COVID thwarted attempts in 2020 and 2021.

MikeMadness has raised a total of more than $55,000 with the the four tournaments.

“So much of what UAB is about ā€“ like health and wellness, research and serving the greater good ā€“ is embodied in the tournament, and we are honored to join Mike in his fight.” 

Jim Bakken splits the double-team at MikeMadness, a fundraiser to find a cure for Lewy Body dementia. The3X3 basketball event at UAB Rec Center was all tied up and at game point when Bakken drove the lane and slammed down a vicious dunk. (Photo: Trisha Powell Crain)

But what about the game? The UAB team and the Power Ballers have met before in Mike Madness finals. They are usually hard fought games, and this was no exception as it came down to the wire.

”It is a bit of a blur,” Bakken remembers.”I was actually planning to pass to a younger teammate but saw an opening to go left and create some separation. I decided to drive hard and see what happened. As a 44-year-old weekend warrior, my athleticism and ability to drive hard can be pretty inconsistent, but luckily I caught a little burst of adrenaline. ”Without that, Iā€™m pretty sure it would have been a boring but fundamentally sound left handed lay-up.”

Instead it was a slam dunk amid three defenders. The crowd went wild.

NOTE: Early post of this story had the wrong date for the tournament. Correct date was Aug. 20, 2022. Also corrected to say 17 teams participated. For more information see www.myvinylcountdown.com and the Lewy body dementia association LBDA.org.

Basketball and me

Basketball has long been my measuring stick for how my disease was affecting my game.

And no, I don’t mean that I make up a little game and say to myself if I can make 5, 3-pointers in a row I am cured.

But I did keep close tabs on how Lewy was affecting the various skills that basketball requires. Eye-hand coordination, stamina, and lateral movement. Could I still hit from long distance without too much overcompensation for lost strength? Could I still dribble drive around someone?

Notice how I am writing this, in the past tense. I ‘did’ keep tabs: That’s because sometime in April I made the call to take me out of the game — to quit my Old Man Hoops league playing in a full court run in a church gym in Irondale.

Since the 2016 diagnosis of Lewy body dementia, it was a slow but steady ride down. I could have easily discounted the changes to age — I was the oldest player out there. I am currently 62. I so want to dunk on Lewy.

But Lewy is a master of defense. There is no cure.

In the early years post diagnosis, 2016-2018, I noticed little deterioration in my game. In the middle years 2019-2020 I found my shot was short. and I got winded easier. I sucked it up and created a slogan “Step Up” to remind myself to take a step or two closer than 3-point land. It worked well enough to make me think I could still contribute.

But, alas, as the leaves turned colors and died at winter’s entrance late last year, it was abundantly clear I could no longer play.

I think I tried playing in March or April, and it firmed up my decision.

Now I’m into new challenges like buttoning a shirt, writing on the computer, tying my shoes.

The disease is similar to Parkinson’s disease in which proteins produced by the body form in the brain. The proteins over time kill off enough of the 100 billion brain cells (or neurons) in the average human brain as to be debilitating and ultimately fatal.

This brings me to really the most important reason for writing this. We are having our Lewy body fund-raising 3X3 MikeMadness basketball tournament this coming Saturday (Aug. 20) at UAB Recreation Center starting at 9 a.m. To find out how to register and about the after party at Cahaba Brewing go to MikeMadness.org

This will be our fourth MikeMadness since 2017; Covid knocked us out for 2020 and 2021. We’ve raised about $40,000 for research at UAB and and the Lewy Body Dementia Association, (LDBA.org) Also, see www.myvinylcountdown.com

Yellowman — 22

ALBUM: Going to the Chapel (1986)

MVC Rating: 4.0/$$$$

Hello mon, for today’s post we have Yellowman.

So named for the distinctive hue of his skin, the result of albinism, Winston Foster grew up an orphan in Kingston, Jamaica, according to Wikipedia.

Abandoned by his parents, Foster grew up in Maxfield Children’s Home and the Alpha Boys School where he became interested in music. As a young adult Yellowman performed in the reggae sub-genre called dancehall. He went on to became nearly as popular and well known as Jamaica’s reggae icon Bob Marley.

This record features renowned rhythm section Sly Dunbar and Robbie Shakespeare, keeping tight the reggae beat throughout. In addition to the title track other reinterpreted songs include the Gambler, made famous by Kenny Rogers. On the album the title is “No Lucky in Gambling.’

He follows that with a reggae version of ‘Amen.’

Below is the album I have with a different version of Amen.

Vanilla Fudge — 49

ALBUM: Vanilla Fudge (1967)

MVC Rating: 2.5/$$$$

Wow, this one is so bad it’s good. Almost.

Their cover of the Temptations’ ‘You Keep Me Hanging On’ was a high charting single and is a successful use of turning an original song inside-out, making it something new and good.

With it’s heavy organ sound and over-the-top rock vocals, it turns the song into something else. It sounds like Deep Purple before Deep Purple.

Unfortunately that formula didn’t work well on the other songs. In fact, some of the album sounds like laughable parody: Eleanor Rigby, Ticket to Ride, People Get Ready, She’s Not There — all covers of music that were current at the time. They were all great songs by the original artists but not by Vanilla Fudge except for ‘You Keep Me Hanging On.’

And therein lies Mike’s 2-pronged better and/or different theorem for a cover song to work.

No. 1: The cover takes a faithful route and blows the doors of the original. Janis Joplin’s Me and Bobby ‘McGee’ cover of the Kris Kristofferson song fits that bill. Michael Bolton’s cover of Otis Redding’s ‘Sittin’ on the Dock of the Bay’ fails.

No. 2: The cover has to be so different that it reinterprets the original song. I think Creedence Clearwater Revival’s cover of ‘I Heard it through the Grapevine’ does that with Marvin Gaye’s version. I’m not saying the CCR song is better or worse, they are just different kinds of great with Gaye’s soul strong vocals and CCR’s swamp thing chug.

Now that you got my theorem, back to Vanilla Fudge. Between the cover songs, there are some strange psychedelic interludes (Illusions of my Childhood Pts. 1,2,3) which I won’t describe here but you get the picture.

This isn’t something I threw on my turntable much because there is so much gooey goo to get through to the good stuff.

It would make a great study as part of a look at the origins of psych-rock and heavy metal. Oh, by the way, either the bass player is very good or my speakers are very good — or both.

The Ventures — 52

ALBUM: The Colorful Ventures (1961)

MVC Rating: 4.0/$$$$

I would venture to say that this band was instrumental.

No vocals — but they were instrumental in another way as well.

The band was instrumental in defining early guitar music. They were influential in rock and roll and pioneered a sound called ‘surf music.’ Nokie Edwards was the lead guitarist.

‘Walk Don’t Run’ may have been their best known album. I find the Ventures and their pop and surf co-horts, Dick Dale, Duane Eddy, Chet Atkins, the Chantays, the Surfaris and others to be quite easy to listen to as it can fade into the background. But a listener paying close attention can hear the precise guitar runs and fabulous picking.

If this is your thing, it might be best to get one of several greatest hits albums. This wasn’t really an album band so the greatest hits work well both as individual slices and an overall vibe. That may run you up to 20 bucks so perusing the bargain bins, like I did, might produce a good find like my album -original press in mono – for under $5.

San Francisco Medicine Ball — 95

ALBUM: ‘On a Slow Boat to China’ (1976)

MVC Rating: 4.0/$$$$$

And now for something completely different as Mr. Python used to say. A banjo record.

Sure enough all 11 songs on the Real Turkey Records label in San Francisco feature banjo and more banjo. By the cover it appears our six band members include an upright bass, a drummer, a singer, and three banjo players. There’s also piano on some tracks. Several try vocals occasionally but banjo is the theme.

And to put it on the turntable is to turn the beat around. Banjo is scene changer. And this one proves Steve Martin’s line: ā€œThe banjo is such a happy instrument–you can’t play a sad song on the banjo – it always comes out so cheerful.ā€

For that reason this might be fun throwing on when things need livening up or things are getting heavy. But I would recommend only one play (front and back) because too much banjo music has the opposite effect. In a longitudinal study, excessive banjo music (dubbed Banjomama) results in irrational fear of player pianos and suspenders.

Interestingly, I have another album that is based in banjo, but the two records couldn’t be more far apart. ‘Kaleidoscope’ is a California psychedelic album featuring future Jackson Browne guitarist and award winning banjo player David Lindley. Kaleidoscope was a jazzy progressive rock jam while Medicine Ball leans more on traditional songs and ‘happy’ playing.

Paul Simon — 122

ALBUM: There Goes Rhymin’ Simon (1973}

MVC Ratjngs 4.5/$$$$

It’s the wonderful Paul Simon being Paul Simon. Great album featuring several classic songs. It’s Paul Simon, who on this record in 1973 got the word ‘crap’ on Top 40 radio.


‘When I think back on all the crap I learned in high school, it’s a wonder I can think at all.’

I was 13 or 14 and was digging it. When you’re a teenager, you have to feel aggrieved about something. And so I was already identifying with how worthless high school was going to be — and I haven’t even gone yet!

The other song here that just killed was ‘Love Me Like a Rock backed by a gospel choir. Radio friendly singalong.

The two hits, ‘Kodachrome’ and ‘Love Me Like A Rock’ bookend the album with Kodachrome being the first slot and “Love Me” closes out the album on the second side. In between are mostly stellar songs that showcase Simon’s fantastic voice and songwriting. It also showed him stepping across genres and experimenting with world music which would later become a significant pursuit of his.

Back to Kodachrome. This is a well written song. I particularly liked the line:

Well now my lack of education hadn’t hurt me none, i can read the writing on the wall.

Made me think, I don’t know why, to Simon and Garfunkel’s Sound of Silence: “And the words of the prophets were written on the subway walls.”

Does the US have world’s best health care system?

Here we go again, as President Reagan used to say.

Once again an assertion of the old trope that the US has the world’s best health care system.

“We have the best health care system in the world,” said Dr. Chad Mathis, distinguished fellow at Alabama Policy Institute in a release that went out on May 27. “That is a statement you wonā€™t often hear, but itā€™s true.”

Well, truth is sometimes in the eye of the opinionater. I recognize that much. But a quick swing around the numbers shows that the US is not at the top when it comes to health care.

According to the Commonwealth Fund: The U.S. spends more on health care as a share of the economy ā€” nearly twice as much as the average OECD country ā€” yet has the lowest life expectancy and highest suicide rates among the 11 nations.

.{This analysis is part of a series of Commonwealth Fund comparisons that uses health data from the Organisation for Economic Co-operation and Development (OECD) to assess U.S. health care system spending, outcomes, risk factors and prevention, utilization, and quality, relative to 10 other high-income countries: Australia, Canada, France, Germany, the Netherlands, New Zealand, Norway, Sweden, Switzerland, and the United Kingdom.}

Now, Mathis should know a thing or two about health care. The Birmingham resident is an orthopedic surgeon. In the Trump administration, he served as a Senior Policy Advisor at Health and Human Services.

Mathis’ primary argument centers on how much better the US rolled out vaccination, than the problem-plagued European Union.

According to Mathis, “The United States produced and distributed the vaccine precisely because of our highly fragmented, highly customizable healthcare system. While not perfect, it can hold its own on the world stage.”

Fragmented it may be, but I don’t think that is a hallmark of its strength. As far as the rollout goes, the U.S.

Another recent report by U.S. News and World Report found 10 countries with the best health care systems. The U.S. ranks No. 22, falling seven spots on the list compared to 2020.

  1. Sweden
  2. Germany
  3. Denmark
  4. Canada
  5. Switzerland
  6. Netherlands
  7. Norway
  8. United Kingdom
  9. Finland
  10. Japan

Now I know the U.S. has a great medical care system. Some of my best friends and family are doctors and nurses and PT’s and such. We are great but we shouldn’t have 30 million uninsured; we shouldn’t have the most expensive health-care system as a significant size of our economy; and we shouldn’t have an obesity rate that is among tops in the world. Saying we are the best in the world thwarts our need to improve upon it.

Dwight Twilley, Dwight Twilley Band — 126, 125, 124

ALBUMS: Jungle (1984); Twilley (1979) SIncerely (1976)

MVC Rating: Jungle 3.5/$$$$; Twilley 4.5/$$$$$; Sincerely 4.0/$$$$$

One of the great lost bands in the 70’s and 80’s. Their career stalled from almost the beginning. The early single ‘I’m On Fire’ charted at No. 15 with virtually no promotion and it sort of went downhill from there.

The band, it seems, went through the meat grinder in terms of record labels and contractual malfunctions. A good blow-by-blow on this by AllMusic.com. The group from Tulsa, OK, consisted mainly of Twilley and Phil Seymour. Tom Petty worked with the group for a time; and Susan Cowsill was a touring member.

Twilley was bargain bin fodder when I snagged my three albums in the 1980s. Lot’s of memories playing these albums (the first two anyway in college. The self-entitled Twilley caught my ears from the beginning with the song ‘Out of My Hands,’ a sad rockabilly tinged ballad with a slight echo. In fact that echo rockabilly sound created an ethereal, atmospheric sound that was standard on these two earlier albums I picked up.

The third album I bought was Jungle and seemed to be aiming for a wider audience, or should I say straining for a wider audience. The album spawned the single, ‘Girls,’ with a racy-for-its-day video.

The album but was overall hurt by overproduction. Twilley pulled back on his rockabilly and seemed to go straight for a commercial pop/rock album.

While Twilley’s career continued as he put out records of music he never released due to contractual disputes, outtakes in addition to new music.

His early status as a bargain bin pick-up has changed as his music is rediscovered; there are folks on Discogs selling some of it for upwards of $40 and $50.