Dion– 523, 522

ALBUMS: Dion and the Belmonts 24 Original Classics (1984); Dion (1968)

MVC Rating: Classics 4.5/$$$; Dion 4.0/$$

If you are going to cover Purple Haze by Jimi Hendrix you better do it like Dion did it by totally deconstructing, making it virtually unrecognizable from the original.

He made it a slow smoldering, jazzy nightclub song : . ‘Excuse me while I kiss the sky’ he sings slowly, quietly, dragging the words out, and the line dissolves into flute, be-bop scats and an ethereal echo effects.

You may not like this treatment, click on link  above  to hear, but if he tried to do it like Hendrix, it would surely be a fiasco. On that song I give kudos for the creative arrangement.

Now  on to the songs he was known for. Dion came out of the doo-wop New York City scene, where you got up a group of friends in the neighborhood and sang on the porch or stoop.

He hooked up with Bronx buddies: Fred MilanoAngelo D’Aleo, and Carlo Mastrangelo.

And of course  you snapped your fingers as your voices — being the main musical instruments — blended in perfect harmony. Dion came from that scene and –became one the top singers in the era of the late 1950s after Elvis went into the Army and before the Beatles and British invasion.

Songs like Runaround Sue, which is addressing presumably an ex-girlfriend in a non-complimentary way:

People let me put you wise– Sue goes out with other guys

In the Wanderer, Dion is the macho loverboy who has goes from town to town loving and leaving them.

Oh well, there’s Flo on my left and then there’s Mary on my right
And Janie is the girl well that I’ll be with tonight
And when she asks me, which one I love the best?
I tear open my shirt and I show “Rosie” on my chest

Dion had lots of hits both as a front man for a band, (the Belmonts) and by himself. But the street corner dude was apparently hiding a heroin habit that began in his teens. Disappearing for a while he re-emerged with a softer folksy style that brought the hit ‘Abraham, Martin and John’ about the slain leaders.

Dion had a very soulful voice and feel for the song. The two-disc compilation I have is a great place to start. But I’ve found his discography to be deep. He did great songs that are sometimes hidden on albums like Born to Be with You. Beautiful.

He also did a very personal song, that may be one of the best and honest  ‘getting sober’ songs ever done called ‘In Your Own Backyard.’ Listen to it below:

Elvis Costello — 566, 565, 564, 563

ALBUMS:  KIng of America (1986); Imperial Bedroom (1982); Get Happy (1980);  Armed Forces (1978)

MVC RATING: King 4.0/$$$$; Imperial 4.5/$$$$; Get Happy 4.0/$$$$; Armed Forces, 4.5/$$$$

I may have mentioned this before but Elvis Costello substantially opened my world to another kind of  music. The Beatles first moved something inside and paved the way for this growing interest, or  love, of music.

Because of the Beatles I found the Rolling Stones, the Who, CCR, Clapton, etc. Other paths, including my Dad’s records,  led me to Louis Armstrong, jazz, and later different paths led me to  Motown, Stax, Johnny Cash, the 11-year-old Michael Jackson, and  so on. My Mom, I remember liked folk music, such as Peter Paul and Mary, and some Top 40  off the car radio in the 1970s. I actually remember singing along with mom and siblings to How Do You Do as we were driving. That song you may remember is one I have declared the Best Worst Song of all time.

By high school I was listening to mixed-tape cassettes I made, painstakingly, often on a theme. “Soft Rock” or “Hard Rock” or Best of Southern Rock” or, and this is true, I had one mixed tape called “Eclectic Mix.”  As  you can see my imagination was boundless. Not. My  Eclectic Mix probably consisted of country rock and folk, a Rolling Stones song and a Dylan cover. With maybe an Al Green song. (No, that would be saved for my “Love songs” tape.)

But when I was in my last year of high school — “78 is great”– I somehow came across Costello. I actually had a store-bought tape of Costello’s debut and arguably his best — but that’s a big argument. “My Aim Is True’ was not radical in that it was busting new barriers, like the Beatles or the Clash for that matter.

This is melodic, angry, catchy and highly literate pop and rock coming out at a time when punk was making a lot of noise. I didn’t really get the Sex Pistols’ appeal  beyond screaming about being pissed off.  Now Costello was pissed in a literate and often amusing way.

While we, HS seniors, were playing air guitar to Stairway to Heaven,  Dream On, Free Bird and Frampton Comes Alive, along comes a guy bold enough to steal the King’s name. Wearing thick black ugly glasses, mind you. Damn.

As a songwriter he’s near genius.

But it was like nothing I had heard; I couldn’t get enough. Besides the cassette, I  bought five albums over time of Costello. One, This  Year’s Model, is missing from my collection, and it may have been the best. But the four (above) that I still have are excellent. And they are all different, even though marked with his distinctive vocals and artful lyrics. (Last thing, whomever I lent This Year’s Model to, just leave it on my porch, no questions asked. Come to think of it I’m missing a number of albums over the years, such as Bob Marley’s Natty Dread, and Deep Purple Made in Japan which had Highway Star and a scorching performance by Ritchie Blackmore. As usual, I digress).

Back to Costello, listen to  these songs in video. The ‘Detectives’ video is, if you hang with it through the opening loud distortion, a pretty remarkable live performance of a clever song.

Memorable line:  ‘I don’t know how much more of this I can take;

She’s filing her nails while they are dragging the lake.’

Counting down my 678 vinyl records before I die of brain disease.