Daily Journal March 10, 2020 (Let’s go back to the beginning and Pick up the Pieces.)

For those of you catching up, we did pretty well at the Alabama Record Collectors Association. Sold 33 vinyl records and made more than $350. (Although expenses certainly cut into the profit margin. Maybe a nice dinner out with Catherine.

We learned some things.

  1. Unbelievable high end records. I never knew there were thousand-dollar records at these kind of shows, or anywhere for that matter. But I saw several plus records in the $200 to $400 range.
  2. Know your product. More than once, people came up asking how much. The sticker had fallen off and was now stuck to the bottom of someone’s foot. But because I had spent hours researching price and applying those stickers in advance. Even with my memory impairment, I found I could give an educated price. I know my records pretty well.
  3. Keep it real. Don’t put a 100-dollar sticker on a $15 record ‘just to see.’ Your credibility may suffer and you’ll lose the confidence of the buyers. Know what its value is to the best of your ability.
  4. Negotiations: At these events, the buyers often counter. This is something I already knew, but it takes a few times to get back upon the horse. For example, guy walks up with five albums, a $30, a $20, a $10 and a $3. That totals $63. He says: ‘How about $50 for all.’ In this case I would likely go for that but I quickly look at what he has and note silently that the $30 record was already marked down from a researched price of $45. So I quickly counter: $55 and it’s all yours. Deal struck. I think I knocked something off about one-third of the transactions — so about 11 records. All of this is happening in an environment where the prices are fair.
  5. Hands off the merchandise. As hard as this was to do, you are really trying to make money. Don’t buy records and stuff –and don’t rent a hotel when you are only 15 miles from the Gardendale Civic Center. We didn’t do the former — at least not with records, I did however buy for my two daughters and their significant others rock and roll black T’s from the heavy metal contingent behind us — They were awesome — the people and the T’s. But we did get us a room. And that’s on me because I suggested it. Otherwise, Catherine was going to have to drive to and fro for two days, at night and morning with some other work she had to do in Birmingham on Friday. It was worth the extra $100 (free continental breakfast; I got a big greasy sausage patty and biscuit and gravy.) Catherine joked we won’t put the hotel on the record convention cost side of the personal ledger and count it as ‘staycation.’

So for the big reveal (drumroll please): I grossed $407, according to latest data available. I spent $75 for a table, $40 for nylon outer sleeves and $10 for inner sleeves and other expenses, taxes, meals and gas about $60, ate cheaply. Total spent: $185.

407 – 185 = 216. Like I said a super high-end dinner for Catherine and me. Or that rare Beatles record. … perhaps? (Oh, and there’s this wedding).

Daily Summary, May 24, 2019: What is Life Edition

I have a reggae group on my blog called Black Uhuru who sing an anthem called ‘What is Life.’

What is life? I try to see
What is life? It’s unity
What is life? I try to feel
What is life? It’s really real

The term ‘life and death’ issues has almost become trite as a description because it’s tagged to issues that are not about life and death. But I think most will agree that abortion, end-of-life medical care and capital punishment are pretty solid life-death issues.

I’m not exploring all that here but I am leading up to a story by a guest writer to AL.com that is another example of why there are not black-and-white answers to all the questions about these topics.

The story excerpted and linked below is about a man, burned badly over 65 percent of his body. He wanted to die.

His case is now a case study in bioethics classes at UAB. Many thanks to Gregory Pence for sharing this remarkable and well-written piece, which opens like this:

Famous patient in bioethics, Donald (Dax”) Cowart, recently died. A high school football player from Henderson, Texas, he served as a pilot in Vietnam, after which he joined his father in real estate in Henderson.

On June 23, 1973, the two of them, while inspecting a ranch for sale, suffered severe burns from an undetected gas leak, burning over 65% of Dax’s body and killing his father.

Dax had learned about burns from his pilot’s training. Found by a farmer, Dax asked for a gun to kill himself. 

Read the rest by clicking here.

It’s an issue I want to explore further at another time because those of us with dementia may face instances of chronic pain and lowered quality of living.

Pence’s column really leaves you wondering. I’m still not sure what the takeaway is in this column and that’s what makes it so provocative. It’s not a same-size-fits-all lesson here.

That’s all for now. Check out my column tomorrow on AL.com: It’s about MyVinyCountdown.com reaching the half-way point.

And, importantly, let’s remember our veterans who have died.

1:18 p.m. Update:

Another story has come through that is related to this topic: Conservative Christian anti-abortion mother of two children with special medical needs sees the nuance and strongly opposes the new law banning abortions. Story here.

Danny and Dusty — 545

ALBUM:  The Lost Weekend (1985)

MVC Rating: 4.0/$$$

I’m in the D’s. Time to get down  and dirty.

So apopros that my alphabetical system provokes me to take a look at Danny and Dusty.

This all-star band, well, maybe minor league all- star, has some gut-barrel, singalong barroom music on  it. ‘D’ for drunk, maybe?

This is a buddy group with Dan Stuart from the band Green On Red and Steve (Dusty) from Dream Syndicate. Members of those bands and the Long Ryders were the backing band.

I have some Green on Red somewhere, maybe disc, and this is reminding me of some great  songs they did in the 1980s ‘post-psychedelic movement’ in the SF Bay Area. (To be honest, Green on Red  sounded more country punk to me.) One song, I can’t recall it’s name, had a line it about ‘working at the Piggly Wiggly’ — it always made me laugh. I’ll try to find the song and post.

Now I live a block away from a Piggly Wiggly. But I also lived in the Bay Area for a decade and don’t remember ever seeing a Pig there?

Anyway, D&D is a fun listen, probably recorded most songs in 1 or 2 takes.  The Dylan cover of ‘Knocking on Heaven’s Door’ is a different take, and not bad. (Still my favorite cover of that song is  probably Guns N’ Roses version, though I never was huge GNR fan—I felt like I was too old to enjoy them. Odd, b/c I like  some Chili Peppers).

Counting down my 678 vinyl records before I die of brain disease.

The Clash — 584, 583

ALBUMS: Sandinista! (1980), Black Market Clash (1980)

MVC Rating: Sandinista 4.0/$$$$$; Black Market 4.0/$$

If you think about it, the Clash had the perfect name for their band.

They clashed with everything.

And Sandinista was a new turn that clashed with the group’s punk rock base. (Think Roy Moore followers if they were leftist streetwise Brits. I’m making the point that they are loyalists not so open to change.)

Sandinista, a three-record clashing of the soul  and gnashing of the teeth was their masterpiece and their self-indulgent jam session — (see the clash there?)

It had reggae, dub, punk rock, a waltz, rap, rockabilly, electronica, corner soul and Lord knows what else. Most people didn’t play the whole thing through because it was disorienting. It was like wearing plaid, stripes, gingham and seersucker all at once and on the feet: Keds red high tops.

Not Converse mind you. That’d be uncool.

But it  had great stuff on it. Some of the music was eye-openingly good (The piano and bass on the be-boppin Look Here, for example.)  It just got lost in the shuffle-play. While the Magnificent Seven, Police on My Back, Rebel Waltz and Somebody Got Murdered got most of the attention, I  like the Sound of the Sinners, a gospel send-up that kicks off with this:

As the floods of God, wash away sin city,

they say  it was written in the page of the Lord.

But I was looking, for that great jazz note,

that destroyed,  the walls of Jericho

This album featured six sides of six songs each and cost just a little more, if I remember it was something like $9,99. And I believe that included, at least at my record store, a copy of the 10-inch, Black Market Clash, taken from the Sandinista sessions. I loved side two of that 10-inch with bankrobber/robber dub and armigideon dub, and no justice/kick it around.

Mick Jones continued this dub reggae rap groove in Big Audio Dynamite, which I reviewed here.

Clash band leader Joe Strummer rememberedl

The Clash stood up for the working class and grew into a musically adventurous,  and politically aware punk rock group. By their fourth album, continuing in the tradition of arguably their best album, London Calling, they absorbed and reconfigured  every cross-cultural type of street music imaginable. They discovered dub alll right. And dub spelled backward as well.

Counting down my 678 vinyl records before I die of brain disease.