Those of you following this blog know I am a big Kinks fan, since my teen years.
They were a genre-defying band that were described in many ways: quirky, satirical, whimsical, a garage band , uber British, and so on. They got kicked out of the U.S. during the British invasion for bad behavior so they missed out on big fame for a while. Ray and Dave fought a lot and I mean physical brawls, tearing hotel rooms apart. Although Dave’s pioneering heavy metal guitar in early to mid-1960s with You Really Got Me and All Day and All Night brought attention, there came a lull. They went through a period where they were experimenting with concept album, mini-musicals if you will.
Most people, during that 1970s period turned away. The albums such as A Soap Opera, a splendid little story piece, or the Preservation albums, wound up in bargain bins or, worse, garbage. Many thought they were a lightweight band. They should have known better from the 1960s heavy metal riffs, although even back then lead Kink Ray Davies wrote catchy little love songs (see Tired of Waiting, Stop Your Sobbing, etc.)
One of their biggest songs ‘Lola’ was about a transvestite.
So when my buddy Michael Ludden, former boss, novelist and all around music lover turned me on to a video blues number by the Kinks, it was not only a further validation of arguments I’ve had with folks who think the Kinks never earned their rootsy stripes like the Beatles, Stones and the Who. It was somewhat of a revelation seeing the early Kinks performing a damn good Slim Harpo blues rendition, ‘Got Love if You Want It,’ worthy of the best of the Yardbirds or the Animals, at least. From deep cuts, I knew they did this kind of stuff now and then but to see the performance is eye-opening: